Nina kovner biography
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Double bassist Nina Bernat is the first prize winner at the 2019 International Society of Bassists Solo Competition and first and grand prize winner of the 2022 Minnesota Orchestra Young Artist Competition. At the age of 19, she performed as guest principal of the Israel Philharmonic under Adrás Schiff and Osmo Vänskä as well as with the New York Philharmonic under Gustavo Dudamel. As a recipient of the 2019 Keston MAX Fellowship, she performed with the London Symphony Orchestra on a subscription series concert at the Barbican Centre and in a chamber music concert for LSO Discovery Day at LSO St. Lukes.
Particularly interested in chamber music, she has performed with the Jupiter Symphony Chamber Players and been a part of Juilliard ChamberFest. Additionally, Nina performed Mozart’s Per Questa Bella Mano with the Juilliard Chamber Orchestra in Alice Tully Hall as winner of the Juilliard Double Bass Competition. Her most recent projects include co-directing the Grace Note Farm Chamber Music Festival, where she shared the stage with violinist Joseph Lin, among others.
Nina began studying under the instruction of her father and former member of the Israel Philharmonic, Mark Bernat. She has continued her studies with Tim Cobb and cellist Astrid Schween at the Juilliard School a
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Nina Stern
A Historical Performance faculty member since 2012, Nina Stern, born in New York City, has performed with the New York Philharmonic, Metropolitan Opera, City Opera, New York Collegium, Concert Royal, Philharmonia Baroque, Sinfonia NY, American Classical Orchestra, Apollo’s Fire, Amsterdam Baroque Orchestra, Orchestra della Scala (Milan), I Solisti Veneti, Hesperion XX, and Tafelmusik. She is featured in recordings on the Erato, Harmonia Mundi, Sony Classics, Newport Classics, Wildboar, Telarc, and Smithsonian labels. With the ensemble East of the River, which she co-directs with Daphna Mor, Stern performs traditional music from Eastern Europe, Armenia, and the Middle East. She founded S’Cool Sounds, an award winning music education non-profit organization and serves as Director of Community Engagement for the Boston Early Music Festival. Stern was director of education for the New York Collegium, consulted for Midori and Friends and for Carnegie Hall’s Weill Institute, developed a teacher-training course for the Amherst Early Music Festival, and has written two books of traditional music arranged for recorders and percussion. Stern is a former faculty member at Mannes College and Milan’s Civica Scuola di Musica and has taught at Oberlin Conservatory and the Five Co