Gokh bi system biography definition
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Music of Senegal
Senegal's music is best known abroad due to the popularity of mbalax, a development of conservative music from different ethnic groups and sabar drumming popularized internationally by Youssou N'Dour.
Senegalese Musical Instruments
[edit]List
[edit]- Bomvola
- Ilulam
- Tuga Carat
- ooga
- Gahtim
- Kghvawasi
- Ghata
- Sirom
- Xylophone (Around Senegal Brazil China Sudan Ecuador)
- Zazoli
- bolbia
- Tam Tam
National music
[edit]During the colonial ages Senegal was colonized by France and many, though not all, Senegalese identified as French instead of any African ethnicity.[citation needed] Post-independence, the philosophy of negritude arose, which espoused the idea that the griot traditions of Senegal were as valid, classical and meaningful as French classical music. The first President of Senegal, Léopold Sédar Senghor (also a poet) was one of the primary exponents of this. The national anthem of Senegal, "Pincez tous vos koras, frappez les balafons" ("Pluck all your koras, strike the balafons"), was adopted in Its lyrics, by president Senghor, refer to Senegalese music tradition, while its music was composed by Herbert Pepper (fr).
Traditional music
[edit]Ethnically the population of Senegal is % Wolof, % Fula, % Serer, % Mandink
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Historical Narratives of the Akonting and Banjo
I travelled to The Gambia in the summer of to learn to play a stringed instrument called akonting, not knowing then that it would spark my current dissertation research. Played by musicians of the Jola ethnic group from the Senegambian region of West Africa, the akonting is recognized as the closest known African relative of the American banjo.[1] This essay considers the role of history in the relationship between the two instruments, including both the challenge of tracing historical documentation and the ways that historical narrative has been produced by cultural activity in Senegambia and the United States. The following brief documentary film, made during my visit, introduces the sound of the akonting as played by my teacher Musa Diatta and gives a sense of my experience of fieldwork in The Gambia.
Conflicting Histories
Gambian musician and scholar Daniel Laemouahuma Jatta gave a presentation at the Banjo Collectors' Conference that would forever change the narrative of that instrument's history. Jatta first heard the banjo in the early s while studying accounting in Atlanta, Georgia. When a bluegrass tune came on the local radio station, he was immediately struck by the banjo's sonic similarities to the ak
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Gokh-Bi System :: Mission break into Music
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