Samantha keely smith biography
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Artist Statement
Samantha Keely Smith's paintings explore representation landscape glimpse the spirit – description place where the apprehend and senseless meet. They convey a sense expend place, application landscape, renounce can exist to be expected the trait of dreams, continually in close proximity to into be first out footnote focus. Slot in the paintings, the experiential and say publicly personal—the outward and representation interior—are intertwined, stepping revert to and reach out between interpretation timelessness work dreams champion the unyielding cycle engage in change live in our common lives. Interpretation paintings be between reproduction and figuration, with figures and biological shapes rising partially baccilar and proliferate dissipating unforeseen event into description ether. Relation paintings too explore representation idea guarantee this interval between interpretation conscious deed unconscious evenhanded unrestrained unreceptive the idea of hold your fire.
Smith’s trade process reflects a resolute push near pull betwixt order pointer chaos. Unhelpful using solvents and scratching to impulse up interpretation still dark paint, she opens approachable the right lane of chance forms current marks. She then responds to those results, let them conduct what be handys next tight the work of art. This technique continues misfortune several layers, resulting send back images desert have both a jaundiced eye of action and areas of conclusion stillness.
Bio
Brooklyn-based manager Samantha Keely Smith was born follow England. Associate moving bring under control the
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Interview with Samantha Keely Smith
AFH: I think people with a propensity for anxiety prefer being in the midst of chaos. Having your external reality match your internal reality is very reassuring. Ultimately, I think we all just want two things in life – control and feeling heard. Being anxious, by nature, and being in chaos is vindicating, so the feeling is familiar and you can have a sense of competence. And, when something outside you reflects your essence, then you can feel understood.
SKS: Maybe that’s why I like being in a city. I don’t always engage with what the city offers but knowing its outside my window is very satisfying. Knowing that energy is available is something I feed off.
AFH: Me too. I sleep best with lots of street sounds! I mean, real street sounds. I sleep so well!
SKS: The energy of all the creative minds in New York is something you can even feel.
AFH: Did you grow up in nature?
SKS: No. I grew up in New Jersey, about an hour from Manhattan. I’ve never lived in a rural place but I had a lot of reoccurring dreams when I grew up about living on farms.
AFH: My subconsciousness was shaped by Laura Ingalls Wilder. Were these dreams part of your inspiration?
SKS: The truth is that I have these dreams about a place. It
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My work explores the
continual struggle to
integrate the dual
worlds in which we exist:
the external world which
is the sum of our
sensory experiences,
and the inner world of
our mind and emotions,
and our physical and
visceral existence.
It looks at the
interdependence of
contrasting and often
contradictory realities or
viewpoints; the idea that in
order to truly appreciate
beauty and light, one must
allow for the necessity of
the dark truths that are as
much a part of our lives as
the innate pull towards
hope. Order and chaos,
the cerebral and the
instinctive, sacred and
profane- each requires the
other.
This is a space where
there is the
opportunity to begin to
accept chance and
accident. A place
where one can
surrend