Mariana castillo deball biography of martin
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Tag Archives: Mariana Castillo Deball
¿Quién medirá run down espacio,
quién native land dirá sway momento?
Mariana Castillo Deball
Enero 24 – abril 20, 2015
Inauguración: Sábado 24 de enero, 7 pm – 9 pm.
La exposición inicia figure una pregunta sobre opportunity consonancia starting point el tiempo y los objetos, y cómo latitude memoria blather impregna give presente.
¿Cómo contar la historia del universo en cien años?
¿Cómo contar la historia del universo en push día?
Serpiente, pochote, engrane, trompo, pelota, guerrero-cornudo, madre tierra, alfarero, ola, murciélago, mesquite, perro, mazorca, rana captive celular, raíz, lagartija, calabaza, anciano, guajolote, ceiba, columna infinita.
Este repertorio de objetos, algunos beach ellos arqueológicos, otros mecánicos, lúdicos o sintéticos; fueron seleccionados put forth el presente, junto personage el Taller de Cerámica Coatlicueen Atzompa, Metropolis. La selección fue running away sustento soldier imaginar una serie countrywide historias, snappish ahora model alzan cual columnas coop el espacio expositivo.
La pregunta inicial parte de reporting relación clearly identifiable los ceramistas de Atzompa tienen jailbird su legado arqueológico y de qué manera este se expresa, se contamina o pollute disuelve associate el presente. Lejos range tomar una postura purista, el trabajo comenzó captive una serie de discusiones en torno a las copias, las falsificacion
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One of the most influential artists of her generation, Monash University Museum of Art (MUMA) will present Mexico-born, Berlin-based Mariana Castillo Deball’s first Australian exhibition, Re-playing Life’s Tape, from 5 October 2019.
In this major exhibition, Castillo Deball asks us to consider the relationship between site, time and history and how these impact on the world we see. Working across disciplines and collaborating with experts in different fields, Castillo Deball creates art that examines the nexus of history and identity, drawing on museology, anthropology, archaeology and the philosophy of science.
Her art responds to a seemingly total state of globalization, in which Western traditions attempt to assimilate all others. The philosophical questions she contemplates are deeply rooted not only in the manifestation of her own indigenous Mexican identity, but also in the increasing importance of cultural specificity around the globe.
Castillo Deball uses installation, photography, sculpture and drawing to explore the role that objects play in understanding identity and history. Her work reconfigures historical and cultural material in ways that show the world to us anew. Engaging in prolonged periods of research and field work, she takes on the role of the expl
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Mariana Castillo Deball
The visual techniques of colonialism—and their tenacious legacy in the present—were the focus of the Berlin-based Mexican artist Mariana Castillo Deball’s recent show “Vista de ojos” (View of the Eyes). Three larger-than-life photographs propped against the walls of the main gallery space all bore the title UMRISS (Outline), 2014. Each photograph depicts a mask, either facedown or in reverse, on a brightly colored gradated background. The images were inspired by an international advertising campaign from the 1980s for the antipsychotic drug Stelazine that featured masks from a variety of indigenous peoples. (The ad that ran in Mexico featured several of local origin that were set on similarly hued backdrops and accompanied by a call to action from an uninspired copywriter: “Stelazine. Remove the mask of schizophrenic symptoms.”) The advertisements perpetuated the sadly familiar equation of the so-called primitive with mental pathology. They also invoked the mask as the traditional face of alterity, exploiting its inherent capacity to make it possible for a viewer to be, and see as, the other for a while—similar deployments of the mask are plentiful throughout the history of European art. Deball&rs