Jack cole choreographer biography channel
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Jack Cole (choreographer)
American choreographer
Jack Cole (born John Ewing Richter; April 27, 1911 – February 17, 1974) was an American dancer, choreographer, and theatre director known as "the Father of TheatricalJazz Dance"[1] for his role in codifying African-American jazz dance styles, as influenced by the dance traditions of other cultures, for Broadway and Hollywood. Asked to describe his style he described it as "urban folk dance".[2]
His work as a dancer and choreographer began in the 1930s and lasted until the mid-1960s. Beginning in modern dance, he worked in nightclubs, on the Broadway stage, and in Hollywood films, ending his career as a teacher. He was an innovative choreographer for the camera and a hugely influential choreographer and teacher, training Gwen Verdon, Carol Haney, and Buzz Miller, among many others, and influencing later choreographers, such as Bob Fosse, Jerome Robbins, and Alvin Ailey, all of whom drew heavily from his innovations.[3]
Early life
[edit]Born as John Ewing Richter to a working-class family in New Brunswick, New Jersey in 1911, he later adopted his stepfather's surname, along with the nickname he was known by, to become Jack Cole. Cole attended Columbia University for a time, but drop
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Jack Cole: The 'scary' dancer who made Marilyn sparkle
Ultimately Verdon left Cole to work with and marry Bob Fosse, a great choreographer who was influenced by him. Cole features briefly in the new FX series Fosse/Verdon.
After Gentlemen Prefer Blondes, Monroe always insisted Cole had to work with her whenever she was required to dance on screen, such as in Some Like it Hot (1959).
A precursor to his work with Monroe had come when Cole choreographed Rita Hayworth for the song Put The Blame On Mame in the film Gilda. Though Hayworth already had more dance experience, Cole brought out an even more exotic glamour in her.
But Rivera says he wouldn't have treated even big stars with kid gloves. "He demanded perfection but great choreographers do. Even the best dancers don't get out of bed hungry to put themselves through all the pain and effort ahead. Jack had the gift to make people want to do what he wanted them to do.
"In the 1960s I worked with Jack again on a stage musical called Zenda: it could be tough but every day was rewarding. The only time I would probably cry would be if I couldn't please him. Dancers are like that."
Cole died in 1974 and Levine thinks people are reawakening to his talent. "Partly it's the Mar