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Tossell
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People have their reasons for going to Africa. Mine was accident and opportunity. Near the end of the last century, I applied for a journalism internship in England. The intergovernmental organization in question, however, had promised a Canadian of similar qualifications to a forestry institute in Nairobi. I pulled up a map to find Kenya (true story), and off I went.
Over the course of ten months, I joined the long line of interlopers who had failed to save Africa despite considerable expenditures of various governments’ money. This didn’t strike me as a terrible thing: I came with no pretense of saving anything, and the Western development workers I met bent into earnest pretzels in an effort to distinguish themselves from their colonial forebears and the generations of aid workers who followed. “Capacity building” was in. Scarce was the office without a “Teach a man to fish” poster. Rather than arrogantly presuming to save anything, I decided to learn something.
So I read all the local history I could and wrote about my doings on a primitive early-2000s blog. It seemed like a suitable post-colonial endeavour, coming of age in the spirit of the grand tours of bygone centuries. In its wonky way, my internship—a none-too-revolutionary fact-finding mission about online learni
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On March 2, during the Oscars telecast, host Ellen DeGeneres pulled out her smartphone, corralled Meryl Streep, and chirped, “I’m going to take a picture of us, and then we’ll see if we can break the record for the most retweets.” A crowd of Hollywood A-listers including Brad Pitt, Kevin Spacey and Jennifer Lawrence piled in around Streep.
The picture was posted on Twitter from the ceremony. Within hours, the image had been shared – or retweeted – two million times, in many cases by people who were simultaneously watching the Academy Awards on TV and using their phones or computers to tweet about the show. The tweet easily broke the old record – held by Barack Obama for a photo he posted immediately after his re-election in 2012.
DeGeneres’s “selfie” was good fun in a stodgy broadcast. But it also bore a message: Far from being competitors in a war of attrition, television and social networks are actually growing closer together, each harnessing qualities of the other to expand their reach and influence. It’s an idea that might explain why, when Twitter opened its Canadian office one year ago, it didn’t turn to the technology sector to hire a managing director. Instead, it recruited one of the most powerful figures in Canadian broadcasting: Kirstine S