Barbara morgan biography photographer
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Biography
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Barbara Morgan
Photo by Willard D. Morgan, © The Barbara Morgan Archive, Hastings-on-Hudson, NY, USA
Barbara Morgan
1900 to 1992
Raised in southern California, Morgan studied painting and printmaking at the University of California, Los Angeles, where she later taught design, woodcut, and painting for five years. In 1925, she married Willard Morgan, a photographer, writer, and editor, with whom she had two sons. After moving to New York City in 1930, she began to pursue photography over her other artistic practices, exploring the medium and experimenting with different lighting and printing techniques.
Attending a performance by the fledgling Martha Graham Company, Morgan decided to create a book of photographs of Graham’s troupe. Published in 1941, Martha Graham: Sixteen Dances in Photographs was a landmark in both Morgan’s and Graham’s careers. The photographs impart an instant of action—these moments in time are transformed into timeless gestures that also convey emotional truths.
In addition to their extraordinary power and beauty, her photographs were educational. Displayed in traveling exhibitions, the images introduced people across the U.S. and abroad to modern dance, then a relatively unknown art form. Many of Morgan’s photographs are considered the defining
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Barbara Morgan (photographer)
American photographer
Barbara Morgan (July 8, 1900 – August 17, 1992) was an American photographer best known for her depictions of modern dancers. She was a co-founder of the photography magazine Aperture.
Morgan is known in the visual art and dance worlds for her penetrating studies of American modern dancers Martha Graham, Merce Cunningham, Erick Hawkins, José Limón, Doris Humphrey, Charles Weidman and others. Morgan's drawings, prints, watercolors and paintings were exhibited widely in California in the 1920s, and in New York and Philadelphia in the 1930s.
Biography
[edit]Early life and education
[edit]Barbara Brooks Johnson was born on July 8, 1900, in Buffalo, Kansas. Her family moved to the West Coast that same year and she grew up on a Southern California peach ranch.
Her art training at UCLA, from 1919 to 1923, was based on Arthur Wesley Dow's principles of art “synthesis.” Abstract design was taught parallel to figurative drawing and painting. Art history was taught with significant emphasis on the primitive, Asian, and European artistic traditions. While a student, Johnson read from the Chinese Six Canons of Painting, about “rhythmic vitality”, or essence of life force, described as the artist's goal of expression. T