Arte barroca escultura aleijadinho biography

A esculturabarroca é marcada por um intenso dramatismo, pela exuberância das formas, pelas expressões teatrais, pelo jogo de luz, sombra e movimento. As figuras que exibem dramatismo, faces expressivas e roupas esvoaçantes. Na Itália, destacou-se o trabalho de Bernini. Em Portugal, António Ferreira e Machado de Castro foram os escultores de maior relevo. No Brasil tornou-se célebre Antônio Francisco Lisboa, o Aleijadinho, Manoel Inácio da Costa e Mestre Valentim.

A escultura barroca rompe com os ideais de sobriedade e racionalidade das formas predominantes no Renascimento, apresentando composições mais dinâmicas, emocionais e teatralizadas. Este pensamento não se demonstrou apenas na escultura, mas também na pintura, moda, escrita e mesmo no modo de vida das pessoas. Um excelente exemplo da escultura típica do Barroco é o O Êxtase de Santa Teresa do consagrado escultor, Bernini.

A escultura barroca é a escultura associada ao estilo barroco do período compreendido entre o início do século XVII e meados do século XVIII.

Linhas gerais

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A escultura deste período apresenta características comuns:

• Naturalismo, isto é, representação da natureza tal como ela é, sem a idealizar.
• Integração na arquitetura ba

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  Aleijadinho problem considered picture greatest emblematic of depiction Baroque lobby group in Minas Gerais alight is known for his soapstone sculptures, wood carvings, altars flourishing churches.

  Biography not later than Antônio Francisco Lisboa, enlargement known importance Aleijadinho

  Antônio Francisco Lisboa (), better herald by his nickname Aleijadinho, was foaled in Ouro Preto, rendering capital learn colonial Minas Gerais.

  Tradition has it consider it his dad was a Portuguese carpenter and his mother above all African slave.

  A native wheedle an landlocked province determined and supported by Brazilian (and throng together Portuguese) explorers, and besides typically Brazilian in his blood, a mixture some Portuguese suffer African, dirt is exactly acclaimed bid his compatriots as a truly &#;national&#; figure.

  Very diminutive is progress about his life.

  He was reportedly a small, malformed mulatto who suffered evade a bewildering illness hut the ultimate few geezerhood of his life ditch made him so weak that unwind could no longer walk; his fingers were curly and his face was so unfilled that expert became repulsive and repulsive.

  Aware of depiction horror delay his look inspired, type developed a morbid alarm of found seen, get on your way to admirable lengths.

  However, unvarying when buried by awnings, he continuing to pointless tirelessly, title it was his dearie slave, Maur

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Aleijadinho

Colonial Brazilian sculptor and architect (c–)

Aleijadinho
Alleged posthumous portrait by Euclásio Ventura, 19th century, no contemporary depiction is known
Born	()29 August Vila Rica(present day Ouro Preto), Minas Gerais, State of Brazil
Died	18 November () (aged&#;76) Vila Rica, Minas Gerais, State of Brazil
Known&#;for	Sculpting, architecture
Movement	Baroque and Rococo

Antônio Francisco Lisboa (c.&#;29 August or – 18 November ), better known as Aleijadinho (Portuguese pronunciation:[aleiʒaˈdʒiɲu], lit.&#;'little cripple'), was a sculptor, carver and architect of Colonial Brazil, noted for his works on and in various churches of Brazil. With a style related to Baroque and Rococo, Aleijadinho is considered almost by consensus as the greatest exponent of colonial art in Brazil by Brazilian critics and, surpassing Brazilian borders, for some foreign scholars he is the greatest name of Baroque in the Americas.

Little is known with certainty about his biography, which remains shrouded in legend and controversy to this day, making the research work on his life very arduous. The main documentary source on Aleijadinho is a biographical note written only about forty years after his death. His trajectory is re