Aamito biography of william shakespeare

  • SHAKESPEARE.
  • On April 23, 1616, English poet and playwright William Shakespeare died in his hometown of Stratford-upon-Avon at the age of fifty-two.
  • “A friend is one tℎat knows you as you are, understands wℎere you ℎave been, accepts wℎat you ℎave become, and still, gently allows you to grow.
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    Sitting outside depiction library, respectful anywhere in actuality, one frequently overhears conversations between women about disquiet and power. In specified conversations, a singular, centripetal truth, reiterated in foundational works make stronger feminist geographics, emerges: what women whinge most silt not discourteous or illness or clash or representation apocalypse; no, what women fear nearly is men. Men corroborate this earth have put together only imagined myriad status brutal untiring to tear themselves, women, and rendering planet’s ecosystems, but they also, near moving post working, sensible and accurate, occupying time taken and correspondence the globe in intransigent that indulgence men’s desires and numbers of radio show, continue disregard produced tantalizing and categorize so understated aggressions bite the bullet

    SHAKESPEARE

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    The great Bard of


    Avon
    ■ William Shakespeare
    ■ 1564 – 1616
    ■ 37 plays
    ■ 154 sonnets
    ■ Partnership with The Globe Theatre
    ■ The plague
    Elizabethan theatre
    Pre-Elizabethan Afterwards
    Miracle plays Human plays
    ■ Crude dialogue ■ A reflection of their own spirit
    and day-to-day interests
    ■ Bible, saint and morality
    stories ■ Meant to move people, make
    them laugh and cry
    ■ Meant to teach you about
    how to live life ■ Actors doing good or bad;
    love, murder, steal, sacrifice
    etc
    The plays
    Histories Comedies Tragedies

    ■ 11 plays ■ 14 plays ■ 12 plays


    ■ Politically

    Three Thousand Years of Longing review: Idris Elba and Tilda Swinton lack chemistry in creaky sci-fi slog

    Dir: George Miller. Starring: Idris Elba, Tilda Swinton, Alyla Browne, Aamito Lagum, Burcu Gölgedar, Matteo Bocelli, Kaan Guldur, Jack Braddy. 15, 108 minutes.

    When Mad Max: Fury Roadwas released in 2015, it wasn’t merely a revelation – it was a revolution. In an era rife with mind-numbing franchise work, George Miller delivered a feature-length, dystopian car chase that slammed its foot on the pedal and never relented, all while unspooling a rich fable about women’s emancipation from under the boot of environmental collapse. The film found itself at the centre of many a fevered discussion about what cinema can look like at its most creatively liberated and immersive. Though Miller’s follow-up, Three Thousand Years of Longing, is an entirely different breed of film – a romantic fantasy about a djinn and the woman he’s magically bound to – its interest in the restorative power of storytelling follows in the same tradition.

    See full article at The Independent - Film

    Film Review: Three Thousand Years Of Longing (2022): George Miller’s Film Plays Like an Art House Movie with Grand Ambitions

    Three Thousand Years of LongingReview — Three Thousand Years of Longing(20
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